Point Blank (1967)

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Director John Boorman brought the gangster drama into new realms of modernist abstraction with this stylized revenge thriller, which transforms hard-edged pulp into a kaleidoscopic psychological puzzle. Lee Marvin is iconically cool as the enigmatic Walker, who, after he’s betrayed and left for dead by his best friend during a robbery, embarks on a brutal quest for vengeance, aided by a jaded ex-moll (a sensational Angie Dickinson) who has her own complex motives for helping him. Capturing Los Angeles locales with a surreal pop-art eye, Boorman locates the existential dread lurking beneath the city’s sunlit surface.