Five (2003)

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Five cannot fail to add to Abbas Kiarostami`s reputation as one of the most consistently innovative and visually talented filmmakers in the world. This is a richly, poetic radically minimalist film, featuring five extended sequences shot on hand-held camera along the shores of the Caspian Sea. The sequences are much more than pretty pictures or documentary record - carefully constructed and manipulated, with a soundtrack composed as a symphony of natural noise, they comprise an abstract narrative arc, which moves evocatively from solitude to community, motion to rest, and near silence to sound and song. Ending on a note of rebirth and regeneration, Five`s choreographed action and inaction demand the audience`s total surrender. This film is a sublimely beautiful response to the natural world, profoundly contemplative and serene, giving audiences the opportunity to embrace a different cinematic experience.